#there are no actual extras in his story

[seagreenstardust]

How does MHA make you care so much about so many different characters. How is it that for such a large cast there are so few actual extras. How.

[clouvu]

yknow what. *undooms your yuri again*

[tsukasalover]

it’s kinda stupid to call rui “sassy” or say he was acting “mean” for simply doing what any person would do realistically after tsukasa humiliated nene in the main story. i swear this fandom has gone over this a thousand times and yet for some reason it’s still so hard for people to accept that tsukasa was being a self centered asshole. that’s not even exaggerating anything that’s just the truth.

btw (if im wrong correct me) but rui has never gotten angry at someone unreasonably he’s actually quite mature and doesn’t just?? explode over things so i dont know why him refusing to work with tsukasa even after nene forgave him is seen as a “mean” thing… let’s not forget he still believed tsukasa hadnt changed at all and only wanted to be in shows for selfish purposes. it’s not bad to admit that tsukasa is egotistical and has acted much more mean in unacceptable ways than rui + has had to own up to this and work hard to grow as a person over time

[hella1975]

would you like to talk about how bad the mha ending was hella

as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY

[jonsnowunemploymentera]

Something rubbed against his leg beneath the table. Jon saw red eyes staring up at him. “Hungry again?” he asked. There was still half a honeyed chicken in the center of the table. Jon reached out to tear off a leg, then had a better idea. He knifed the bird whole and let the carcass slide to the floor between his legs. Ghost ripped into it in savage silence. His brothers and sisters had not been permitted to bring their wolves to the banquet, but there were more curs than Jon could count at this end of the hall, and no one had said a word about his pup. He told himself he was fortunate in that too. His eyes stung. Jon rubbed at them savagely, cursing the smoke. He swallowed another gulp of wine and watched his direwolf devour the chicken. Dogs moved between the tables, trailing after the serving girls. One of them, a black mongrel bitch with long yellow eyes, caught a scent of the chicken. She stopped and edged under the bench to get a share. Jon watched the confrontation. The bitch growled low in her throat and moved closer. Ghost looked up, silent, and fixed the dog with those hot red eyes. The bitch snapped an angry challenge. She was three times the size of the direwolf pup. Ghost did not move. He stood over his prize and opened his mouth, baring his fangs. The bitch tensed, barked again, then thought better of this fight. She turned and slunk away, with one last defiant snap to save her pride. Ghost went back to his meal. Jon grinned and reached under the table to ruffle the shaggy white fur. The direwolf looked up at him, nipped gently at his hand, then went back to eating.

Jon I, AGOT

It's interesting that GRRM would dedicate several paragraphs to a seemingly unimportant exchange between a boy, his wolf, and an unfriendly third party. But there's just something about this passage that has continued to nag at me for years since I first read it because, considering how heavy handed GRRM was with the foreshadowing in AGOT, this feels important.

Jon is sitting at table full of squires - aka would be knights. We don't really know who they are or what families they belong to, but it's safe to assume that they come from a certain level of privilege; this is considering the fact that it cannot be financially easy to be a squire. And these boys already have a slew of tales detailing all their previous knightly exploits regarding "battle and bedding and the hunt" which suggests that they have some capital. So you have boys who will soon be men. And they will, presumably, become men of some power.

These lads eat their fill of the chicken until only half remains, which Jon then gives to Ghost. The direwolf's name is not so important here but what he represents is. Throughout the series, we're told that Ghost is reminiscent of the weirwood trees (because of his red eyes and white fur). He's stated to be of and from the Old Gods and since he's a personification of the weirwoods, he might as well be one of them. It's almost as if Jon is presenting whatever is left on the table to the Old Gods (Ghost). He lets them devour his offerings while he silently watches. And the motif of watching is so interesting here because it's kind of like Jon takes on a stewardship role - to watch over land/people/etc. He oversees Ghost eating the chicken, so he's overseeing whatever has been given to the Old Gods. This is not new imagery to his arc. As a brother of the Night's Watch and eventually its leader, we have several instances where he leads people to adopting the Old Gods in some fashion. In ADWD, several recruits swear their vows to the Old Gods while he watches on as their Lord Commander. The Old Gods are also primarily of the North and we're told that Jon has more of the north in him than his brothers; interesting that this also includes Bran. So perhaps whatever is being offered to the Old Gods relates to the North.

We must also note that Jon initially thinks to give only a small portion, a leg, before pivoting and providing the entire thing. It feels to me a bit like the process of carving up a kingdom or something similar. The lords (represented by the squires) take what they want and leave aside what they don't; or perhaps they have eaten to their fill and can take no more. Then when his time comes, Jon first considers a small piece of land/group of people before eventually absorbing all of whatever is left behind. The concept of carving up a kingdom rings harder considering that we have several callbacks to the ideals of kingship in this chapter. Robert, Jaime, Tyrion, and even Mance though we don't know it yet, all play into this. And then there's the aspect of Jon letting the chicken slip between his legs which evokes birth/fatherhood, a very curious choice when GRRM could've just had Jon place the chicken on the floor. So land/people are carved up and Jon then uses whatever is left to birth his own type of kingdom. And this kingdom is one for the Old Gods.

This also touches on something that has been quite prevalent throughout Jon's arc. It's the concept of accepting the "others" or "those left over" who live apart from the accepted social norms. Arya (a tomboy), Sam (a gender non-confirming boy), the Night's Watch (criminals, extra sons, and men who have no future left or place to go), and even the wildlings are all examples of this. And Jon takes on a leadership/paternal role to every single one of them. He looks after them as a leader would/should. Sometimes, in the case of Arya and the wildlings, he's equated to a king. He's a steward/shepherd/king. There's messianic undertones to this:

Come unto me, all you who are heavy laden, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light." (Matthew 11:28-30).

If you're familiar with Judeo-Christian tradition, you'll know that Jesus is often personified as one who spent the majority his time among the outcasts. The idea is that he came to save them too and that anew kingdom (or new earth depending on your translation) would spring up after the end of the world where he would forever rule as king; which presents the idea of a final king after the earthly ones are done away with. Now GRRM isn't so heavy handed with Christian allusions as other authors out there, but he does have a Catholic background and Jon is so overtly a Jesus figure. And in Revelation, Jesus is king and god at the very end....

One last thing: the mention of the mongrel who challenges Jon has always been rather interesting but confusing to me. A mongrel doesn't really relate to one specific type of dog. But it's interesting that Jon notes several roaming about where he is. They follow the serving girls who carry the food to be offered. Mongrels are used to describe antagonist/villainous groups in ASOIAF. Sometimes, they're used to describe slavers in Essos. But what's interesting is that most of the time, they're used to describe Euron's Ironborn especially in Victorian's POV. So I don't think the mongrel who challenges Ghost is a supernatural threat of death (i.e., the Others) but rather a human one. They represent those who are called to the scene once the lords have finished playing their games. It almost feels like a feast for (carrion) crows....

But it doesn't really matter because this mongrel isn't much of a challenge for Ghost. Though the mongrel is much larger, the direwolf is able to fend her off very effortlessly. Given that "mongrel" is used to describe Ironborn raiders, could this exchange between Ghost and the mongrel point to reavers or sea raiders who rise and fail challenge Jon kingdom? There is a historical King Jon Stark who did this....

When sea raiders landed in the east, Jon drove them out and built a castle, the Wolf's Den, at the mouth of the White Knife, so as to be able to defend the mouth of the river.[1][2] His son, Rickard, followed him on the throne and annexed the Neck to the north.

ref.

So this might shed some light not only on Jon's already published arc, but also on what we can expect in the future. We have some foreshadowing through Jon's ADWD dream that he will not only rise with the dawn (thereby live through the Long Night), but will be in a position to lead people (wildings in that chapter) to a new peace after a hard fought war. Also remember that the wildlings, rather enthusiastically, swear oaths to him as if swearing oaths to their king. In this instance, the supernatural (a dream of the war for the dawn) is followed by the natural/human. So perhaps this particular passage (and Jon's dream) can be used to predict that Jon comes out on top, and quite effortlessly too, as a leader. And he becomes a leader who rules by association with the Old Gods; or rules a kingdom for them.

To end, I think it's of note that this passage immediately precedes Jon's conversation with Benjen where he voices his desire to go out on his own - the hero's call to action. This is the adventure that's going to kickstart his growth as a man, warrior and most importantly, a leader. So it looks like before we even began, GRRM telegraphed how it would all end in just three short paragraphs.

[runefactorynonsense]

Melotober - Day 11 - Dream

Chosen Earthmates

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[canadianlucifer]

Sometimes I get a fictional little guy in my head and I have to draw them to release them

[cleocatrablossy]

PIRATETIMEPIRATETIMEPIRATETIME

they are theatre kids your honor

[ridgystacis]

hey what if you and your twin brother were the central protagonist and antagonist of a character-action franchise and must therefore fulfill your narrative roles that inherently place you in conflict with each other

[morrigan-sims]

The Noble House of Lockwood

Lord Alistair Lockwood, his wife Lady Evangeline Lockwood, and their children: Silas, Byron, and Theodore Lockwood.

Lord Alistair Lockwood

Current head of the Lockwood Estate.

Wood Elf.

Extremely wealthy.

Member of the ruling council of Arborcea.

Takes great (too much) pride in his house, name, and family.

Has a short temper and is quick to bring it out on those who displease him.

Loves his [legitimate] sons, although he's not good at showing it, at least not in healthy ways.

Had an affair with a human woman ~27 years ago that resulted in Rook's birth.

One of the key players in placing Arborcea under Elven rule.

Very well-respected among the other nobles.

Stubborn and prideful, even arrogant. (His eldest son, Silas, takes after him in this regard.)

Despite his prominent place on the council, he hungers for more. More power, more wealth, more influence.

Very traditionalist/old-fashioned.

A strict father, but well-respect and even idolized by his [legitimate] sons.

Lady Evangeline Lockwood

Lady of the Lockwood Estate.

Eldest daughter of another of Arborcea's noble houses.

High Elf.

Her and Alistair's marriage was an arranged one for politics and money, not love.

Strongly begrudges Alistair for the affair that led to Rook's existence, and has not forgiven him yet. (26 years is a blink of an eye for an elf.)

Despite this, will forever and always keep up appearances of a happy and faithful couple. (Even when they are alone, she hardly ever shows her displeasure with Alistair.)

Was thrilled when Rook ran away, because it meant that there was no longer a constant reminder of her husband's infidelity and shame wandering the halls of her house.

Vain, and always fishing for compliments from everyone around her.

Cleverer than she lets on.

Her sons are her greatest love and pride. They can do (almost) no wrong in her eyes. (However, damaging the image of house Lockwood does count as wrong.)

Has tea gatherings with the other noble ladies where they talk shit about anything and anyone.

Very strict mistress to the servants and anyone in her employ.

Also a strict mother, though much more loving.

Silas Lockwood

The oldest Lockwood brother.

The closest thing to a "rebellious" kid the [legitimate] Lockwood family has.

Stereotypical "popular kid": has a ton of friends and is always the center of attention despite being a dick to most people.

Is rarely at home, usually off "adventuring" (aka, paying other people to do the real work, then let him come in and deal the final blow and taking the credit.)

Excellent fencer, but initially trained for dueling competitions for entertainment, not lethality. His style is kind of exaggeratedly showy because of this.

When he's not adventuring or dueling, he's usually in a tavern, slightly drunk and surrounded by "20 of his closest friends". (or "friends"... most of them are using him or he's using them. He's aware of this and doesn't care.)

Has his father's short temper and intense pride. Can never walk away from a fight.

Hates nothing more than losing/being humiliated.

Byron Lockwood

Middle child, often overlooked in favor of his siblings.

Most boring/practical of the kids.

Doesn't really know what he wants in life.

Doomed to always be out-shined by Silas or Theo.

Totally not bitter about it.

Currently engaged to the daughter of another noble house.

Wants to inherit the title of Lord Lockwood, and is offended that someone as irresponsible as Silas would get it.

Perfectionist. Expects the best from everyone around him at all times.

The only Lockwood kid with a "real" job. (Manages some of his father's interests in a handful of shipping companies based in Arborcea.)

Think of the stereotypical shitty boss: Greedy, ambitious, treats his underlings like tools not people.

Theodore "Theo" Lockwood

The youngest Lockwood brother.

His parents' favorite.

Mama's boy, has Lady Lockwood wrapped around his finger and he knows it.

Spoiled youngest child. Is used to getting everything he wants whenever he wants it.

Will get very upset if his desires are not met.

Has spent the last few decades attending various kind of universities for degrees in all sorts of things. (the perks of being an elf and super rich, I guess.)

When asked about his plans "after schooling", he just does a kind of vague handwave and starts rambling about "research projects", but can't give any straight answers.

Will probably end up as some kind of weird professor/research funder: Ultra wealthy, multiple PHDs, "inventor" (but really just pays people to invent things for him), more than a little bit of a jerk. All his future students will come in so thrilled to meet this famous guy who's done so much impressive shit, but end up leaving disillusioned about their idol.

Not as smart as he seems. More than possibly has paid his way through at least a few of his classes/degrees.

As an academic will almost certainly plagiarize most or all of his work.

[garbomode]

izzy's not the only character that's suicidal but he's the one whose entire arc was focused on him getting better. that's why it feels bad.

[unproduciblesmackdown]

set out to create a serious, canonesque drawing with which to say "feel free to go in my lackadaisy tag and help me mystery speculate" but only got going when i made it bowling and the rarepair agenda

[lokh]

it's tough that a lot of little but important things to dungeon meshi characterisations are all over the place and not the most easily accessible

[microwavetoaster-selfships]

I love the original Cars 2006 game so much. The one that got released on like GameCube and Xbox. I mean, I love all the Cars games(Cars 3 Switch game they did you dirty), but that's an entire story for another time giving my individual appriciation for all of them later. What I'm going to say here applies pretty well to the other games that are centered around the first movie as well like Race-O-Rama and Maternationals, but I'm specifcally rewatching the original one's cutscenes again because I don't want to restart my data every time I wanna go through the cutscenes again(even though I enjoy playing it so, so much), and I just love the atmosphere in it so much. Some of my favorite movie scenes are the ones where they don't have any music playing because I love to close my eyes and turn up the volume and just.. pretend I am right there with the characters and right next to them and stuff or that they're talking to me or such, and that is extra immersible when there isn't an entire orchestra going on(not that I am knocking at having music at all, I regularly go back and listen to the soundtracks from movies if they have them posted).

And the game doesn't really have any music at all during any of the cutscenes and the whole thing is like super..soft to me? Not soft as in like fluffy pillows and pink aesthetic soft, but soft as in like it's getting late out and so you're trying to be kinda hushed with your voice and there's not really anywhere you have to be so you slow down your pace and kick a couple of pinecones or rocks. If that makes any sense at all. Cause normally movies or shows(whether the whole series or each individual episode) have a certain plot or arc that is happening that everyone is focused on and consumes the whole thing, give or take a few moments. And while this game does have a particular thing so it can have a start and end to the story of the game, everything is framed in like a "Yeah, this is what they get up to in their freetime." And I don't know if you know but I love my slice of life stuff so sooooooo so so infinitely much. So getting to get that sort of content is really fun and perfect for me. It's like you're just actively hanging around them and getting caught up in whatever typical nonsense they end up in(assuming we are ignoring the whole monster truck bit), and the "OH THINGS ARE. HITITNG THE FAN." Or bigger development moments are saved for like the movies or something or whatever comes up in my head.

I'm not really entirely headed anywhere with this, I just wanted to put out some appriciation for the game and how nice the atmosphere is. I think it's also cause I really love getting to just sit and here them talk and there is a lot of casual conversation that happens and just plain dialog. Like it's not even filler dialog it's just talking and chatting. And I spend a stupid silly amount of time listening to voiceline compilations on YouTube so this is just the bees knees for me.

Thank you for the read though, may I offer you with a clip because APPERENRLY there's a limit to one clip per post that I am just now finding out about. I think I've already talked about the Litnig one anyway. Maybe I'll post it again later.

I uuuuguguhhh also perfectly reached the tag limit. If anyone needs anything to do in their freetime while bored or as a filler may I suggest reading this post and it's tags, you will be occupied for a while IFNFJCJFNS. I was half joking about reaching the tag limit as well. Well, we all saw it coming, it was going to have to happen one day. And go figure after a long absence that I was going to have it in me to do some running of my mouth...

I do want to say I am probably back now yall! Knock on wood- but I think the reign of my absence is over! Which I am especially hoping so for several reasons but also because I am so SO not done milking F/Ovember to its full extent. I spent too many months looking forward to that to not invest and rot my blog with it.

[tswwwit]

Quick question. What would happen if someone came up on one of dipper's old graves and decided to resurrect him during one of his reincarnations? Would his soul leave the current vessel and get sucked back into the old one, or would his corpse just be filled with a whole lotta nothing?

That's an excellent question!

My first impulse is to say that resurrecting Dipper's old body wouldn't have an effect. Whoever did it would end up with a zombie, or the shell of a body with nothing in it.

My second impulse is: What if Dipper did get sucked out of his current body, and popped right back into his old one? Now you've got one very confused Dipper, and one extremely distressed demon who just saw the love of his life get his soul sucked out, going limp and dead right in front of his eye!

Overall, I guess it depends on exactly what kind of resurrection was pulled off. A body alone type thing will get you no brain or soul to go with it, but if it specifically targeted the soul itself? Then you better have enough oomph behind it to yank it out of someone who's currently alive.